
Recovering alcoholic and aspiring writer Jack Torrance takes a job as winter caretaker of the isolated Overlook Hotel high in the Colorado Rockies, moving in with his wife Wendy and their five-year-old son Danny once the last guests leave and the snows seal them off. Danny possesses "the shining," a psychic gift that lets him sense things others cannot — and the empty hotel, it turns out, has a memory and appetites of its own. As cabin fever and the Overlook's malign influence tighten around the family, the line between haunting and madness begins to blur.
Significance King's third published novel (1977) and his first hardcover bestseller, it inspired Stanley Kubrick's iconic 1980 film and King's own 1997 TV miniseries; King later wrote a direct sequel, Doctor Sleep (2013).
Live AbeBooks listings, checked against the seller's own photos. ✓ confirmed = a photo shows the decisive first-printing marker; cover only = ask the seller for the copyright-page shot before buying.
likely first$1050The Lost BookstorePRICE-CLIPPED (condition caveat, not a disqualifier): front flap price corner absent; seller explicitly states 'price clipped dust jacket'. Original $cover only — verify$799Great and rare booksSeller's TEXT states it retains the original $8.95 and is the 'true first state jacket' (NOT price-clipped), but the $8.95 price is NOT legible in anycover only — verify$2250B & B Rare BooksSeller text states UNCLIPPED dust jacket, but no flap/price is photographed, so the $8.95 first-state price is UNVERIFIED from the image. Listed US$2,3 listings flagged wrong-edition / later printing and hidden.
Front panel: Dave Christensen's stylized horror cover art with bold glowing title "The Shining" and the author name; the price $8.95 sits at the head of the inside front flap, just below the "T.S." abbreviation. The art wraps slightly around to the BACK panel as a green-lions image on the true first (dropped on later trade printings). Rear flap carries a photograph of a young Stephen King and the ISBN; flap copy notes King had published only two prior books (Carrie, 'Salem's Lot). The book-club jacket instead shows a SOLID/plain green back panel.
Art / design: Dave Christensen — pictorial dust-jacket cover art/design (the eerie wrap-around illustration with the green-lions back panel), with typography by Al Nagy (per Red Fox: "cover design by Dave Christensen, typography by Al Nagy"). Author-portrait photographer (young King photo on rear flap) not separately credited in sources consulted.
The 25,000-copy figure for the first Doubleday printing is repeated across rare-book dealer and Stephen King collector references (Red Fox Rare Books, stephenkingcollector). It should be treated as the long-standing collector-community consensus number rather than a documented Doubleday press figure — no primary publisher print-order document is published. Publication was Jan/late-1977; the R49 code denotes the 1977 print week. Doubleday's poor binding/jacket stock means survivorship in fine condition is low, which drives the price premium more than absolute rarity of the print run.
First-state JACKET point: the true-first dust jacket carries a slight wrap-around of the cover art onto the back panel showing GREEN LIONS; later trade printings DROPPED this wrap-around and were also produced at a slightly larger trim (collector report, stephenkingcollector.com $8.95-jackets forum). There is NO documented internal text/errata typo point for this title — top-tier dealer descriptions with full bibliographic citations (Bauman Rare Books: Currey/Brooks/Collings) cite NO first-state errata. ADVERSARIAL NOTE: a low-quality AI-generated SEO page (stephenkingly.com) claims a page-447 "sivun"/"syvin" misprint — this is UNCORROBORATED by any reputable source and is REJECTED as fabricated ("sivun" is a Finnish word, a tell of machine-garbled content). First-state vs later-state identification rests on (1) "First Edition" on the copyright page, (2) R49 data code at p.447, and (3) the green-lions wrap-around on the unclipped $8.95 jacket.
No contemporaneous (1977) signed/numbered or traycased limited edition exists for The Shining. (No Doubleday limited; no small-press limited preceded the trade.) Author-signed first-edition trade copies command large premiums (e.g. Bauman Rare Books signed-on-title-page copy in clamshell) but are not a separate "limited" issue. UNVERIFIED on any later fine-press facsimile/anniversary limited.
$1,200–2,500 (genuine first/first, fine/fine, unclipped $8.95 jacket, unsigned); signed/inscribed $2,500–4,500+
Assumes a genuine first edition / first printing in near-fine to fine condition (clean copy, unclipped jacket). Lesser condition is worth less.
Confirmed sales: Signed/inscribed 1st/1st (inscribed "Stephen King 1/23/92"), R49 present, near-fine $8.95 jacket — sold $2,000, Nate D. Sanders (Oct 2019). True first ed. in dust jacket, FAIR condition (worn/tattered jacket, foxing) — sold ~$307 incl. premium, Bonhams/Skinner (lot 25, auction 30277) — a low-grade floor comp. Dealer market (stephenkingcollector reference): fine/fine unsigned cataloged at $600–900 baseline, with strong-jacket and signed copies trading materially higher.
Book-club edition (the trap): $15–60. Book Club Edition (BOMC) is the dominant trap: smaller, lighter boards, NO R49 gutter code, blind-stamp (circle or maple-leaf) on the rear board, and a jacket with NO printed price (or a clean-clipped corner). Worth a tiny fraction; ex-library true firsts also collapse to ~$50–150. — a fraction of a true first; never pay first-edition money for one.
Condition is the entire game — Doubleday used cheap boards and jacket stock, so true fine/fine copies are genuinely scarce and command a steep premium over the common VG-rumpled copies; the $8.95 first-state jacket MUST be present and unclipped (an $18.95 jacket = later printing; a clipped jacket guts value 30–50%). Signed/inscribed adds roughly $1,000–2,500 over an equivalent unsigned copy. THE single point that separates a real first from the mislisted copies: the "R49" printer's gutter code in the inner margin of page 447 PLUS "First Edition" stated as the last line of the copyright page AND a $8.95-priced jacket — and crucially NO book-club blind-stamp on the rear board. If R49 is absent or there's a blind-stamp dimple on the back cover, it's a BCE regardless of what the listing claims.
Verification notes: SECOND ADVERSARIAL PASS — re-confirmed against NEW independent sources beyond the draft: Bauman Rare Books (ABAA, bibliographically cited), Bookpoi, nocloo, stephenking.com official PDF (binary, not parseable but cited as authority), an eBay BCE listing, and stephenkingly.com (rejected as unreliable). FINDINGS: (1) Page 447 location of R49 is now INDEPENDENTLY CONFIRMED by Bauman ("Data code 'R49' appears at inner margin of page 447"), resolving a forum poster's imprecise "page 449" remark — draft's p.447 is CORRECT. (2) NUMBER-LINE DISCREPANCY RESOLVED IN DRAFT'S FAVOR: one source (stephenkingly.com) and a search snippet claim a "1 2 3 4 5 6 7 8 9 10" number line. This is FALSE — Doubleday of this era used NO number line (the very reason the R49 gutter code is the dating mechanism), and Bauman's full bibliographic description cites no number line. Draft's "No number line" stands; the conflicting source is REJECTED. (3) ERRATA CLAIM REJECTED: stephenkingly.com alleges a page-447 "sivun/syvin" misprint as a first-state point — UNCORROBORATED by any reputable dealer (Red Fox, Bauman, Edwards, Bookpoi cite none); "sivun" is a Finnish word, a tell of AI-garbled content. Draft's "no internal errata" stands. (4) SECOND PRINTING = S3 re-confirmed (Edwards: "First printing has R49 code, with this printing run occurring six weeks later"). (5) BCE = R52 re-confirmed via a NEW source (eBay listing titled "1st Book Club Edition R52 Gutter Code"). (6) First-state green-lions back-panel wrap-around re-confirmed (stephenkingcollector forum: "The actual first edition dust jacket has a slight wrap around on the back show green lions ... later printings ... were also slightly bigger"). (7) Binding re-confirmed: Bauman "Original half black cloth"; Red Fox "tan paper boards with black cloth binding and gold lettering"; jacket designer Dave Christensen + typography Al Nagy (Red Fox). (8) Pub date Jan 28 1977 / ~25,000-copy run re-confirmed. Topstain/endpaper still UNVERIFIED. Value remains a dealer-listing estimate. NET: draft was accurate on all load-bearing points; this pass HARDENED it by (a) independently re-confirming p.447 via Bauman, and (b) actively rejecting two false claims (number line + errata) that an unwary checker could have inserted.