
A quartet of dark novellas that each strand an ordinary person in an extraordinary moral crisis: a 1920s Nebraska farmer who conspires against his wife over a land sale, a writer who survives a brutal roadside assault, a man who stumbles onto a horrifying truth about his husband of decades, and a woman who strikes a strange bargain to escape financial ruin. King probes what regular people are capable of when pushed to the edge — the retribution, the secrets, and the price each act exacts.
Significance Solo Stephen King collection (under his own name) gathering four novellas — "1922," "Big Driver," "Fair Extension," and "A Good Marriage" — three of which were adapted to film, with "1922" becoming a 2017 Netflix feature and "A Good Marriage" scripted by King himself.
Dark photographic jacket with black/blue tonality; moody atmospheric cover image (Jeff Bark photograph) fitting the four-novella noir/horror theme. Title "FULL DARK, NO STARS" and "STEPHEN KING" prominent. Rear panel carries blurb/author material. Distinct from the Cemetery Dance set, which uses Tomislav Tikulin cover art and interior illustrations.
Art / design: Front cover photograph by Jeff Bark (credited cover photographer). Scribner in-house jacket design. Author photo on rear panel/flap.
Two distinct publishers / two questions:\n\n1) SCRIBNER MASS-MARKET TRADE HARDCOVER (the main US 1st edition, ISBN 9781439192566, pub Nov 9 2010, $27.95): No reliable first-printing quantity is published. Wikipedia, the Publishers Weekly review page, the King-collector/identification sources, and booksellers (johnatkinsonbooks, biblio, AbeBooks) all give publisher/date/number-line ID info but state NO copy count. A '1.2 million copies' figure surfaced ONLY inside auto-generated search-engine answer summaries with no quoted primary source behind it — I treat that as unverified/likely fabricated and did NOT adopt it. King titles of this era did have large announced first printings, but no trustworthy figure for THIS title was found. First-printing trade copies are identified by the full number line ending in '1' on the copyright page (standard Scribner practice), not by a published quota.\n\n2) CEMETERY DANCE LIMITED 1st EDITIONS (separate small-press deluxe printing, the only firmly documented quantities): per Cemetery Dance's own product page — Slipcased Gift Edition 1,750 copies; Signed & Numbered (leather-bound) 750 copies; Signed & Lettered (traycased, signed by King + all artists) 52 copies. The entire limited edition sold out before publication.\n\nNo source disagreement on the Cemetery Dance counts (all sources converge on 1,750 / 750 / 52). The only 'disagreement' is the spurious 1.2M trade figure that appears solely in AI summaries; reliability of that figure: none.
No widely-documented errata or distinct first-state-vs-later-state textual point is reported for this title. Identification rests on the "First Edition" statement + full number line ending in 1, plus the unclipped $27.99 jacket. UNVERIFIED whether any minor typo state exists; none is cataloged by the main collector references.
Cemetery Dance Publications limited set (issued after the trade): (1) Slipcased Oversized Gift Edition — 1,750 copies, $75, two-color printing with two-color hot-foil stamping and embossed endpapers; (2) Traycased Signed Limited Edition — 750 copies, $350, leather-bound, signed by Stephen King, satin ribbon marker, embossed endpapers; (3) Signed Lettered Edition — 52 copies, $1,500, bound in two fine materials, gilded edges, satin ribbon, imported endpapers, custom deluxe traycase, signed by King and all artists. Illustrated by Tomislav Tikulin (covers), Glenn Chadbourne ("1922"), Jill Bauman ("Big Driver"), Alan M. Clark ("Fair Extension"), and Vincent Chong ("A Good Marriage"). The Lettered sold out in ~2 hours; the Signed Limited in ~12 hours.
~$25–$60
Assumes a genuine first edition / first printing in near-fine to fine condition (clean copy, unclipped jacket). Lesser condition is worth less.
No confirmed sale found, so this is rated at no less than its original jacket price — a true first/first should hold at least retail in near-fine/fine condition. Soft estimate from dealer listings (treat as approximate): $25–60 unsigned true first (fine/fine, unclipped); $700–1,100 signed-by-King true first (title page, authenticated)
Book-club edition (the trap): $5–15. Book-club / ex-library / reading copies (clipped jacket, library stamps, bumped) trade at a few dollars. There is no separately printed prestige BCE that commands a premium for this title — the "trap" copies are simply the abused trade printing dumped cheap or, conversely, mislisted at inflated prices. — a fraction of a true first; never pay first-edition money for one.
Condition barely moves the needle on the UNSIGNED copy because supply is enormous (2010 mega-print run) — even a flawless fine/fine tops out around $40–60 at a dealer. The value lever is the SIGNATURE: a King-signed true first (title page, ideally JSA/PSA authenticated, unpersonalized) jumps to $700–1,100, roughly 20x the unsigned copy. The single biggest thing that separates a real, valuable copy from the mislisted ones for THIS title is NOT a Scribner trade point (those are trivially common) — it is recognizing which book you actually hold: the everyday Scribner trade first (full number line ending in 1, $27.99 jacket price, Scribner imprint) is worth tens of dollars, while the OVERSIZED Cemetery Dance signed/numbered or lettered limited (leather/traycase, illustrated, signed by King + artists) is the four-figure book. Sellers routinely cross-list the two and price a common $30 trade copy at $300+ asking. Ignore AbeBooks/eBay ASKING prices on the trade copy — they are wildly inflated relative to what these actually sell for.