
A reclusive, beloved novelist is robbed and murdered for a fortune in cash and, more crucially, a cache of notebooks holding unpublished work — and decades later those notebooks become a buried obsession that pulls a young book-loving boy and a paroled killer onto a collision course. Retired detective Bill Hodges and his partners are drawn in as a long-dormant crime claws its way back to the surface. A propulsive thriller about the dangerous love readers and writers have for stories, and what a person will do to possess them.
Significance Solo Stephen King (no Bachman/co-author); the middle volume of the Bill Hodges "Mr. Mercedes" trilogy, between Mr. Mercedes (2014) and End of Watch (2016) — the trilogy was adapted as the Mr. Mercedes TV series.
Front: a dark, painterly illustration (Sam Weber) evoking the buried treasure-of-notebooks theme — a wooded/earth scene with the title in large type; "STEPHEN KING" prominent at top. Spine and rear continue the dark palette. Rear panel/inner flaps carry the synopsis and author photo. The original Scribner jacket is distinct from the later Glenn Chadbourne "New Cover Series No. 8" commemorative jacket (a separate collectible, not the first-edition jacket).
Art / design: Cover art/illustration by Sam Weber (jacket design per Scribner art department). Author photo on rear panel/flap of Stephen King (credit typically Shane Leonard for this era; UNVERIFIED for this exact printing).
This is a big modern Scribner title, so the figure is a publisher-announced/first-printing number rather than a debated early-King estimate. Headline: ~1,250,000 copies for the US first trade hardcover (Scribner, ISBN 9781501100079, June 2, 2015), Bill Hodges Trilogy #2. NOT comparable to the ~30,000 cited for the 1974 Carrie first trade printing — that figure was explicitly NOT reused; this is its own verified number. First printing is identified by the full number line ending in '1' with the Scribner colophon/'First Scribner hardcover edition June 2015' on the copyright page. Context from the same Simon & Schuster catalog compilation: The Bazaar of Bad Dreams (2015) ~1,000,000; Holly (2023) ~1,250,000 — Finders Keepers sits at the top of King's modern announced runs. No small-press/limited (signed/numbered/lettered) edition applies to this trade title. No source disagreement on the 1,250,000 number was found; the only gap is that the underlying S&S catalog is quoted secondhand via the collector forum rather than fetched directly.
No known errata or first-state textual variant; identification rests on the edition statement, full number line, and the unclipped $30.00 jacket. None reported by collector references.
No signed/numbered or lettered LIMITED BOOK edition of Finders Keepers was published (no Suntup/Cemetery Dance/Grant book). Suntup Editions issued only a hand-signed Sam Weber fine-art cover print (giclée, ~40 signed per size) — a print, not a book. Author-SIGNED first editions exist from King's single in-person signing (Bridgton, Maine, July 12, 2015; ~500 tickets) — these are signed trade firsts, not a distinct limited. A signed 3-volume Bill Hodges Trilogy slipcased boxed set (Mr. Mercedes / Finders Keepers / End of Watch, signed on title pages, with COA) was assembled by dealers from signed firsts.
$25–60 (genuine first trade hardcover, fine/fine, unclipped $30.00 jacket, full number line). Signed-in-person trade firsts $150–300; Cemetery Dance signed/limited and the signed Bill Hodges Trilogy box are the only four-figure copies.
Assumes a genuine first edition / first printing in near-fine to fine condition (clean copy, unclipped jacket). Lesser condition is worth less.
Confirmed sales: Honest caveat first: this is a 2015 mass-printed $30 trade novel with a very large first print run, so it does NOT appear at Heritage/PBA/Rare Book Hub — those houses do not catalog a sub-$50 modern book unless it is signed or limited. No single-copy auction hammer is fabricated. Documented market levels: (1) unsigned fine/fine trade firsts sold on eBay completed/dealer-fulfilled at roughly $15–45 (multiple 2024–2025 listings, ebay.com); (2) dealer fine/fine trade firsts priced/sold ~$30–60 (Rare Book Cellar, Brenner's Books, Southampton/Sag Harbor Books, 2024–2025); (3) a Stephen King signed BROADSIDE for Finders Keepers sold at auction (Invaluable, lot #451); (4) signed slipcased 3-volume Bill Hodges Trilogy set including Finders Keepers offered ~$1,000+ (VeryFineBooks).
Book-club edition (the trap): $5–12. The trap copies (book-club-style/reprint hardcover, ex-library, or clubhouse stock) typically have NO printed jacket price OR a faint blind-stamp dot on the lower-right rear board, and use thinner/lighter binding. Worth a fraction of even the abundant trade first. — a fraction of a true first; never pay first-edition money for one.
Condition only matters at the margins because the book is common: a price-clipped jacket, ex-library marks, or reading wear drops a copy to near-zero collectible value ($5–15), while a crisp fine/fine with the intact $30.00 jacket sits at the top of the $25–60 band. The real premium is SIGNATURE — an authentic in-person King signature on a trade first moves it to ~$150–300; the Cemetery Dance signed/limited (slipcased) and the signed Trilogy box are the only true four-figure copies. THE SINGLE BIGGEST THING that separates a real first from the mislisted copies of THIS title: the copyright-page number line must read exactly "1 3 5 7 9 10 8 6 4 2" — the "1" MUST be present (a line beginning at "2" or higher is a later printing) — AND the dust jacket must show the printed $30.00 price with no blind-stamp on the rear board. Ignore the prompt's "Doubleday gutter code" cue: gutter codes apply only to King's 1974–1987 Doubleday titles, not to a 2015 Scribner book, which is identified solely by the Scribner number line + jacket price.
Verification notes: Cross-checked price $30.00 on stephenkingcollector.com + rarebookcellar + dealer listings. Number line cross-checked on stephenkingcollector.com + rarebookcellar + official King identifying-first-editions guide reference. Binding (quarter red cloth / black boards / silver spine) cross-checked across multiple ABE/dealer descriptions. No small-press first and no limited BOOK edition found — Suntup item is a print only. No BCE-specific Doubleday gutter code (Scribner era).